These year-end lists get harder to pull off when the number of children in your household doubles. I considered just posting an unadorned list of my favorite songs of the year, but I love music too much and want other people to love it too much to not at least write about the some of the best tracks. So here it is – my 50 favorite songs of the year, with some more detail provided for the top 20. You’re welcome.
Before we get to the 50 best, here are links to various playlist options, followed by 15 honorable mentions that just missed the cut.
Summer is a little weird this year. You can’t turn on a sweet new summer playlist during a party or barbecue when those parties and barbecues don’t exist. But hopefully there’s still plenty of time to bump some summery bops at home, in the car, or during your socially distant hangouts. Here’s a collection of songs that should do the trick.
The tracklist, along with YouTube and Spotify versions of the playlist are at the bottom. But first, some notes:
Every year, there’s a semi-official (to me, anyway) “song of the summer.” Last year, it was “Old Town Road.” In 2018, it was “Nice for What” by Drake. In 2017, it was “Slide” by Calvin Harris, Frank Ocean, and Migos. This year, it’s “Savage (Remix)” by Megan Thee Stallion and Beyoncé, which opens up this mix.
I usually don’t include two songs by the same artist on the same mix/mixtape, but the new HAIM album was too good, and too “built for summer,” to only include one of their tracks. And there’s yet another HAIM song coming on Part 2 of this mix, as well.
“Dragonball Durag” is the funniest song of 2020.
It was a game time decision between “Overlord” and “Lose Your Love” by Dirty Projectors. I went with “Overlord,” but you should check out “Lose Your Love” too.
Yes, that’s Amber Mark covering Nirvana. And it rules.
I just want to shout out Waxahatchee, Tame Impala, and Rolling Blackouts Coastal Fever, who (along with HAIM) all made killer albums this year. Check out the whole albums when you get a chance.
“Summer Mix 2020, Part 2: Night” coming soon!
Tracklist (meant to be played top to bottom, no shuffle):
1. Megan Thee Stallion ft. Beyoncé: “Savage (Remix)”
2. HAIM: “The Steps”
3. Rolling Blackouts Coastal Fever: “Cars in Space”
4. Waxahatchee: “Can’t Do Much”
5. Childish Gambino: “Feels Like Summer”
6. Thundercat: “Dragonball Durag”
7. Dirty Projectors: “Overlord”
8. Tennis: “Need Your Love”
9. Whitney: “Valleys (My Love)”
10. Tame Impala: “Breathe Deeper”
11. Kamaiyah: “Go Crazy”
12. Amber Mark: “Heart-Shaped Box”
13. Hazel English: “Wake UP!”
14. Alex G: “Southern Sky”
15. Rosalía & Ozuna: “Yo x Ti, Tu x Mi”
16. Caribou: “Home”
17. HAIM: “Gasoline”
18. Pure X: “Stayed Too Long”
It’s time for the third annual installment of the best live performance clips of year. When you get a chance, feel free to check out the 2017 and 2016 live performance lists as well. And also, if you haven’t already perused the 50 best songs of the year, don’t miss it! And come back soon for the best albums of 2018.
Alright, let’s get to it.
15. Lorde covering Carly Rae Jepsen’s “Run Away With Me” (Live at Ally Coalition Talent Show)
At the Ally Coalition Talent Show in New York City on a January night, Lorde was joined by her producer Jack Antonoff on piano for a cover of Carly Rae Jepsen’s pop gem “Run Away With Me.” It shouldn’t be a surprise, but Lorde just kills it, imbuing the song with feeling and E•MO•TION.
1. Calvin Harris feat. Frank Ocean & Migos: “Slide”
You guys, this song is really good. Calvin Harris, the electro-dance producer (and recent Taylor Swift flame), decided to team up with two completely different artists in the introspective and ingenious soul-singer Frank Ocean, and Atlanta trap-rap kings Migos, who are currently basking in the spotlight with their chart-topping single “Bad and Boujee.” “Slide” features an unexpected collision of worlds, but it ultimately works in the best possible way. Harris’s silky, shimmery beat is an immediate earworm — I can already picture it setting the mood for some laid-back July barbecues.
Frank Ocean is the song’s anchor, and I love when he drops the pitched-up “I might!” during the verses as the beat drops out. But my favorite part is the verse by Offset, one of the two “Migos” that appear. His fast flow punches the track up a notch, bringing it from “really good” to “great.”
I was a fan the first time I heard “Slide,” and my love for the song has only grown each time I’ve listened. Now we don’t have to wring our hands over what the 2017 “Song of the Summer” will be. We have it locked in, everybody can go home.
With the gradual proliferation of streaming services and curated playlists, for a while it didn’t look likely that the “album” format would survive. Yet here we are, at a time where the biggest pop stars are releasing cohesive, fully developed ALBUMS, in capital letters. I will always have a soft spot for the album as a concept, whether contained on discs of vinyl or within links to Spotify pages. Smash hits lie alongside deep cuts to form one 30-70 minute statement reflecting the artist’s pain and joy, their view of the world, their quest to express the words in their head and the riffs in their gut. Here are my 25 favorite albums of 2016.
To kick off our year-end coverage, I present to you the 15 best live performance clips of the year. Below, you will find a collection of musicians displaying their craft on platforms ranging from emotional reunion concerts, to late night TV, to stripped-down NPR Music office recordings.
15. Kendrick Lamar: “Untitled 08” (Live on the Tonight Show)
It’s a testament to Kendrick Lamar’s unfiltered energy and passion that he can draw in the audience with very little additional fanfare. Just Kendrick, a mic, and a lot to say.
14. Lucy Dacus (La Blogotheque: A Take Away Show)
Lucy Dacus radiates warmth on a night in the streets (and subway stations) of Paris. Dacus pairs insightful lyrics with inviting arrangements in this stripped-down performance. One highlight occurs during her second song, “I Don’t Wanna Be Funny Anymore,” when a passerby whispers “Play a Janis Joplin song!”
13. Steve Gunn: “Full Moon Tide” (NPR Music: Field Recordings)
Steve Gunn was made to play his songs surrounded by trees atop old, rusty train tracks. Gunn’s acoustic guitar work is extraordinary as he channels a little Bob Dylan, a little Grateful Dead, and a little Neil Young.
12. Britt Daniel: “I Me Mine” (Live at George Fest)
“George Fest,” a tribute concert to George Harrison held at the Fonda Theatre in Los Angeles, happened in 2014 but clips and a live album were released this year. Britt Daniel of Spoon plays a fervent rendition of “I Me Mine,” the last song the Beatles ever recorded in April of 1970.
11. Bruno Mars: “24K Magic” (Live on SNL)
No one has more fun than Bruno Mars. I enjoyed “24K Magic” when it came out, but I started really loving it after watching Bruno and his hype men dance through it on Saturday Night Live.
10. The Arcs (NPR Music: Tiny Desk Concert)
Dan Auerbach, known as the frontman for the Black Keys, released an underrated album last year with his side project, The Arcs. Early this year, The Arcs played at the NPR Music office for one of their famed “Tiny Desk” concerts, enlisting the help of a Mariachi band called Flor de Toloache. Auerbach’s bluesy voice really shines over the spare arrangements, but the women of Flor de Toloache steal the show, providing backing vocals along with violin, trumpet, and guitar.
9. LCD Soundsystem: “All My Friends” (Live at Webster Hall)
It was thrilling to hear that LCD Soundsystem was reuniting to tour this year, after declaring that they had broken up in 2011. The band played their first show back at Webster Hall in New York City in March, closing their encore with “All My Friends,” an absolute behemoth and roller coaster of a song — easily their best, and probably the greatest song of the last decade. Even though the following clip is a somewhat crude recording from some audience member’s phone, the energy still surges through. I wish I had been there. (And here’s a higher-quality recording of their performance of the same song at Lollapalooza this year.)
8. Local Natives: “Dark Days” & “Fountain of Youth” (La Blogotheque: A Take Away Show)
Local Natives show their harmonizing chops on a slow, gorgeous version of “Dark Days”, one of the best songs of the year. Then on “Fountain of Youth,” one of the guys takes a little dip in the Seine after the performance.
7. Beyoncé (Live at the MTV VMA’s)
Beyoncé’s stage presence has always been a sight to behold, and it’s even more powerful with a cohesive narrative like Lemonade as the subject matter. Her performance of a medley of Lemonade tracks at the MTV Video Music Awards combined enthralling visuals, dancing, and Beyoncé’s persistently amazing voice.
6. Anderson Paak (NPR Music: Tiny Desk Concert)
Anderson Paak is a stunningly talented musician, and it shows on this Tiny Desk concert. Paak plays the drums and serves as a confident band leader as he layers his voice over some sumptuous funk/soul/jazz grooves.
5. Chance the Rapper: “Blessings” (Live on the Tonight Show)
Chance the Rapper wears his good heart on his sleeve at all times, making it impossible not to love him. On the Tonight Show, Chance is joined by D.R.A.M., Anthony Hamilton, Ty Dolla $ign, and Raury on his earnest mission to have everyone recognize their blessings.
4. Bon Iver: “Heavenly Father (A Capella)” (Live at the Sydney Opera House)
Justin Vernon of Bon Iver returned this year with an album full of vocal processing, effects, and studio trickery. But for their Sydney Opera House performance of the group’s one-off track (for a 2014 Zach Braff movie) “Heavenly Father,” the group gathers in a circle and relies solely on their blended voices. It’s mesmerizing.
3. Pinegrove (NPR Music: Tiny Desk Concert)
Pinegrove, the Montclair, New Jersey band led by Evan Stephens Hall, made one of my favorite albums of the year in Cardinal, a blend of indie rock, country and, yes, even a dash of emo. Those of you who know me are probably shocked that I could like anything involving the words “country” or “emo,” but here we are. Pinegrove have stirred something inside me recently and I’ve become obsessed. On the album, the “rock” part of the blend dominates, but in a stripped-down setting like the NPR Tiny Desk concert series, those country tinges shine through a little more. It’s hard for me to adequately express the deep connection I feel with these songs, and this performance in particular — especially when they play “Old Friends” at 4:04, as Hall sings “I should call my parents when I think of them / I should tell my friends when I love them.”
2. Choir! Choir! Choir!: “Space Oddity” (Live at the Art Gallery of Ontario)
David Bowie’s death was almost too much to handle, but people all over the world attempted to process it by paying tribute in whatever way they could. The most affecting tribute to me was a short-notice gathering of an audition-less choir in Toronto to sing “Space Oddity.” One acoustic guitar and a chorus of over 500 voices in perfect harmony. They easily could have made the performance too sickly sweet or cheesy, but it’s done with tremendous taste and restraint. It’s a genuinely moving, chill-inducing memorial to a true legend.
1. Kanye West: “Ultralight Beam” (Live on SNL)
Kanye is on my “naughty” list right now, but there was no denying the top spot to his Saturday Night Live performance of “Ultralight Beam” back in February. The funny thing about it is Kanye doesn’t even do much here, but that highlights one of his strengths: he knows talent when he sees it, and he defers to that talent when the song calls for it. A full (and extremely powerful) gospel choir accompanies Kanye along with guests Kelly Price, The-Dream, Kirk Franklin, and Chance the Rapper, who all absolutely slay their time in the spotlight. The disparate parts all cohere to make a beautiful statement on searching for light.
Including initial thoughts on Beyoncé’s Lemonade and Drake’s VIEWS
1. Weezer: “California Kids”
We’ve gotten to a point where we judge Weezer too harshly. They were one of the most celebrated bands of the ’90s with their first two albums, the Blue Album and Pinkerton, but they slowly fell out of critics’ (and even some fans’) good graces as Rivers Cuomo opted instead for cheap hooks and obvious lyrics. While a lot of their decisions were unfortunate, they still cranked out fun, catchy songs. Their two most recent albums, 2014’s Everything Will Be Alright in the End and this year’s White Album, both even echo the magic of their old stuff. The White Album may not be quite as inventive as the material from their earlier days, but the songs are plenty satisfying. “California Kids” has a melody that’s ready for summer, harmonies straight from the Beach Boys’ playbook, and most importantly, huge, fist-pumping, “Say It Ain’t So”-style guitar riffs. If you still haven’t forgiven Weezer for past transgressions, it’s time to open that cold heart of yours.
D-Brad Music 