With the gradual proliferation of streaming services and curated playlists, for a while it didn’t look likely that the “album” format would survive. Yet here we are, at a time where the biggest pop stars are releasing cohesive, fully developed ALBUMS, in capital letters. I will always have a soft spot for the album as a concept, whether contained on discs of vinyl or within links to Spotify pages. Smash hits lie alongside deep cuts to form one 30-70 minute statement reflecting the artist’s pain and joy, their view of the world, their quest to express the words in their head and the riffs in their gut. Here are my 25 favorite albums of 2016.
To kick off our year-end coverage, I present to you the 15 best live performance clips of the year. Below, you will find a collection of musicians displaying their craft on platforms ranging from emotional reunion concerts, to late night TV, to stripped-down NPR Music office recordings.
15. Kendrick Lamar: “Untitled 2” (Live on the Tonight Show)
It’s a testament to Kendrick Lamar’s unfiltered energy and passion that he can draw in the audience with very little additional fanfare. Just Kendrick, a mic, and a lot to say.
14. Lucy Dacus (La Blogotheque: A Take Away Show)
Lucy Dacus radiates warmth on a night in the streets (and subway stations) of Paris. Dacus pairs insightful lyrics with inviting arrangements in this stripped-down performance. One highlight occurs during her second song, “I Don’t Wanna Be Funny Anymore,” when a passerby whispers “Play a Janis Joplin song!”
13. Steve Gunn: “Full Moon Tide” (NPR Music: Field Recordings)
Steve Gunn was made to play his songs surrounded by trees atop old, rusty train tracks. Gunn’s acoustic guitar work is extraordinary as he channels a little Bob Dylan, a little Grateful Dead, and a little Neil Young.
12. Britt Daniel: “I Me Mine” (Live at George Fest)
“George Fest,” a tribute concert to George Harrison held at the Fonda Theatre in Los Angeles, happened in 2014 but clips and a live album were released this year. Britt Daniel of Spoon plays a fervent rendition of “I Me Mine,” the last song the Beatles ever recorded in April of 1970.
11. Bruno Mars: “24K Magic” (Live on SNL)
No one has more fun than Bruno Mars. I enjoyed “24K Magic” when it came out, but I started really loving it after watching Bruno and his hype men dance through it on Saturday Night Live.
10. The Arcs (NPR Music: Tiny Desk Concert)
Dan Auerbach, known as the frontman for the Black Keys, released an underrated album last year with his side project, The Arcs. Early this year, The Arcs played at the NPR Music office for one of their famed “Tiny Desk” concerts, enlisting the help of a Mariachi band called Flor de Toloache. Auerbach’s bluesy voice really shines over the spare arrangements, but the women of Flor de Toloache steal the show, providing backing vocals along with violin, trumpet, and guitar.
9. LCD Soundsystem: “All My Friends” (Live at Webster Hall)
It was thrilling to hear that LCD Soundsystem was reuniting to tour this year, after declaring that they had broken up in 2011. The band played their first show back at Webster Hall in New York City in March, closing their encore with “All My Friends,” an absolute behemoth and roller coaster of a song — easily their best, and probably the greatest song of the last decade. Even though the following clip is a somewhat crude recording from some audience member’s phone, the energy still surges through. I wish I had been there. (And here’s a higher-quality recording of their performance of the same song at Lollapalooza this year.)
8. Local Natives: “Dark Days” & “Fountain of Youth” (La Blogotheque: A Take Away Show)
Local Natives show their harmonizing chops on a slow, gorgeous version of “Dark Days”, one of the best songs of the year. Then on “Fountain of Youth,” one of the guys takes a little dip in the Seine after the performance.
7. Beyoncé (Live at the MTV VMA’s)
Beyoncé’s stage presence has always been a sight to behold, and it’s even more powerful with a cohesive narrative like Lemonade as the subject matter. Her performance of a medley of Lemonade tracks at the MTV Video Music Awards combined enthralling visuals, dancing, and Beyoncé’s persistently amazing voice.
6. Anderson Paak (NPR Music: Tiny Desk Concert)
Anderson Paak is a stunningly talented musician, and it shows on this Tiny Desk concert. Paak plays the drums and serves as a confident band leader as he layers his voice over some sumptuous funk/soul/jazz grooves.
5. Chance the Rapper: “Blessings” (Live on the Tonight Show)
Chance the Rapper wears his good heart on his sleeve at all times, making it impossible not to love him. On the Tonight Show, Chance is joined by D.R.A.M., Anthony Hamilton, Ty Dolla $ign, and Raury on his earnest mission to have everyone recognize their blessings.
4. Bon Iver: “Heavenly Father (A Capella)” (Live at the Sydney Opera House)
Justin Vernon of Bon Iver returned this year with an album full of vocal processing, effects, and studio trickery. But for their Sydney Opera House performance of the group’s one-off track (for a 2014 Zach Braff movie) “Heavenly Father,” the group gathers in a circle and relies solely on their blended voices. It’s mesmerizing.
3. Pinegrove (NPR Music: Tiny Desk Concert)
Pinegrove, the Montclair, New Jersey band led by Evan Stephens Hall, made one of my favorite albums of the year in Cardinal, a blend of indie rock, country and, yes, even a dash of emo. Those of you who know me are probably shocked that I could like anything involving the words “country” or “emo,” but here we are. Pinegrove have stirred something inside me recently and I’ve become obsessed. On the album, the “rock” part of the blend dominates, but in a stripped-down setting like the NPR Tiny Desk concert series, those country tinges shine through a little more. It’s hard for me to adequately express the deep connection I feel with these songs, and this performance in particular — especially when they play “Old Friends” at 4:04, as Hall sings “I should call my parents when I think of them / I should tell my friends when I love them.”
2. Choir! Choir! Choir!: “Space Oddity” (Live at the Art Gallery of Ontario)
David Bowie’s death was almost too much to handle, but people all over the world attempted to process it by paying tribute in whatever way they could. The most affecting tribute to me was a short-notice gathering of an audition-less choir in Toronto to sing “Space Oddity.” One acoustic guitar and a chorus of over 500 voices in perfect harmony. They easily could have made the performance too sickly sweet or cheesy, but it’s done with tremendous taste and restraint. It’s a genuinely moving, chill-inducing memorial to a true legend.
1. Kanye West: “Ultralight Beam” (Live on SNL)
Kanye is on my “naughty” list right now, but there was no denying the top spot to his Saturday Night Live performance of “Ultralight Beam” back in February. The funny thing about it is Kanye doesn’t even do much here, but that highlights one of his strengths: he knows talent when he sees it, and he defers to that talent when the song calls for it. A full (and extremely powerful) gospel choir accompanies Kanye along with guests Kelly Price, The-Dream, Kirk Franklin, and Chance the Rapper, who all absolutely slay their time in the spotlight. The disparate parts all cohere to make a beautiful statement on searching for light.
These “Five Quality Tracks” posts stress me out. I want to pick 15 tracks, not 5. January was a really good month, and I’m passing over a lot of good songs from Hinds, Wet, Eleanor Friedberger, and even the guy who you see everyday in the header photo of this very website, Ty Segall! I can’t believe I didn’t include them. That must mean these next five songs are really good. Also, keep scrolling after the tracks for a bonus section with some of my favorite David Bowie moments.
1. Chairlift: “Moth to the Flame”
The indie pop duo Chairlift have been around for a few years, but they’ve always been somewhat of a footnote to me. They had a song in 2012 called “I Belong in Your Arms” that I really liked, but I hadn’t really heard anything else by them. They just released their new album Moth and it’s chock-full of jams. I was *THIS* close to selecting another track, the slightly emo but deeply affecting and equally awesome “Crying in Public” as my Chairlift representative. But I couldn’t ignore the sugary, danceable beat to “Moth to the Flame.” This is catchy, reach-for-the-stars, indie pop at its finest.
We can agree on why we all miss him. But we can’t agree on his best work. And that is beautiful.
David Bowie passed away two days ago after an 18-month battle with cancer. I have never been so sad and shocked at the death of an entertainer, which took me a bit by surprise. I’ve never considered myself a Bowie expert or anything, but I’m realizing just how strong of a personal connection I had to the man and his music.
Why do we miss him so much? I think we can agree on a few reasons.