The Avalanches

Summer Mix 2021, Part 2: Night

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Here’s Part 2 of my annual summer mix, for your evening/nighttime enjoyment.

The tracklist, along with YouTube and Spotify versions of the playlist, are at the bottom. But first, some notes:

The best song of 2021 so far is the opener to this mix: “Be Sweet” by Japanese Breakfast.
“Impact” needs to be played on a sweaty, covid-free dance floor as soon as possible. (Also, that song made my top 10 of 2020 last year.)
As I’ve said many times, Amber Mark is the most underrated R&B artist we have. By the same token, Caroline Polachek (formerly of Chairlift) is currently our most underrated pop artist. “Bunny is a Rider” is a bop.
If you try not to dance during “Watch Your Step” by Disclosure and Kelis, you will fail miserably.

Tracklist (meant to be played top to bottom, no shuffle):

1. Japanese Breakfast: “Be Sweet”
2. SG Lewis ft. Robyn & Channel Tres: “Impact”
3. Silk Sonic (Bruno Mars & Anderson Paak): “Skate”
4. Laura Mvula: “Church Girl”
5. Natalie Bergman: “Shine Your Light on Me”
6. The Avalanches ft. Leon Bridges: “Interstellar Love”
7. Disclosure ft. Kelis: “Watch Your Step”
8. Tuxedo: “Doin’ My Best”
9. Madlib: “Road of the Lonely Ones”
10. Majid Jordan: “Waves of Blue”
11. Kid Cudi: “Tequila Shots”
12. SZA: “Good Days”
13. The Black Keys: “Stay All Night”
14. Kevin Morby: “Campfire”
15. Caroline Polachek: “Bunny is a Rider”
16. Amber Mark: “Worth It”
17. Bedouine, Waxahatchee & Hurray for the Riff Raff: “Thirteen”

Summer Mix 2020, Part 2: Night

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Here’s Part 2 of my Summer Mix 2020 — this time, tracks to play as the sun is setting and a hot summer night settles in.

The tracklist, along with YouTube and Spotify versions of the playlist are at the bottom. But first, some notes:

In my post for Part 1 of this mix, I declared Megan Thee Stallion and Beyoncé’s “Savage (Remix)” to be the official SOTS (song of the summer). If we’re allowed to have an official SOTSN (song of the summer nights), it’s The Weeknd’s “Blinding Lights.”
I pay close attention to the placement of each song in a mix like this (whether a song is at the beginning, middle, or end; which track comes immediately before and after it; etc.). For this mix, I think the first three songs are a perfect 1-2-3 punch for opening it up, and the last two tracks (“People, I’ve been sad” into “Summer Girl”) are classic examples of what a penultimate and closing track should be. I can’t really explain why, but hopefully you agree.

Tracklist (meant to be played top to bottom, no shuffle):

1. The Weeknd: “Blinding Lights”
2. The New Pornographers: “Falling Down the Stairs of Your Smile”
3. Washed Out: “Too Late”
4. KAYTRANADA ft. Kali Uchis: “10%”
5. Tame Impala: “Lost in Yesterday”
6. Yves Tumor: “Gospel for a New Century”
7. Disclosure: “ENERGY”
8. Caroline Polachek: “So Hot You’re Hurting My Feelings”
9. Lady Gaga ft. Ariana Grande: “Rain On Me”
10. Free Nationals ft. Mac Miller & Kali Uchis: “Time”
11. Car Seat Headrest: “Can’t Cool Me Down”
12. Khruangbin: “Time (You and I)”
13. Empress Of: “Give Me Another Chance”
14. 박혜진 Park Hye Jin: “Like this”
15. The Avalanches ft. Rivers Cuomo & Pink Siifu: “Running Red Lights”
16. Jessy Lanza: “Lick in Heaven”
17. Christine and the Queens: “People, I’ve been sad”
18. HAIM: “Summer Girl”

Best Albums of 2016

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With the gradual proliferation of streaming services and curated playlists, for a while it didn’t look likely that the “album” format would survive. Yet here we are, at a time where the biggest pop stars are releasing cohesive, fully developed ALBUMS, in capital letters. I will always have a soft spot for the album as a concept, whether contained on discs of vinyl or within links to Spotify pages. Smash hits lie alongside deep cuts to form one 30-70 minute statement reflecting the artist’s pain and joy, their view of the world, their quest to express the words in their head and the riffs in their gut. Here are my 25 favorite albums of 2016.

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Five Quality Tracks: June 2016

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1. The Avalanches: “Colours”

In Stereogum’s review of the Avalanches long-awaited sophomore album, Wildflower, Chris DeVille points out the group’s knack for creating a “sensation of somehow simultaneously swimming and soaring.” After captivating the underground music community with their thrilling, unique debut Since I Left You in 2000, the Avalanches fell off the face of the earth for 16 years. They would occasionally tease a follow-up album, but nothing would ever come of it — until now. That swimming and soaring sensation DeVille mentioned is what makes the Avalanches so special, and the wait for Wildflower completely worth it.

“Colours” is a vibrant smorgasbord of swirling sounds, floating in an out of focus, resulting in a song both stimulating and soothing. “Colours” demonstrates another quality unique to the Avalanches: their ability to make a song that can soundtrack a party as naturally as it can drift through your ears as you fall asleep. Unbelievably, counter to the Avalanches’ usual modus operandi, the track contains no samples, so the backmasked vocals and whirlwind of sound were all recorded by the group. The flutes, bells, strings, and airy vocals combine to form a kind of ice-cream truck psychedelia.